One hour, one to one, live online.
You send twenty photographs at least 24 hours before we meet. I go through every one of them before the call, so the hour is spent talking, not loading files.
We look at all twenty in order. Which frames are carrying your work, which ones are quietly holding it back, what you keep doing well without noticing, and the habit costing you the most. Then the part almost nobody gets: exactly what to do next, as specific instructions you can act on this week.
You leave with: a shortlist of your strongest frames, a clear read on where your work actually stands, and three things to work on before you shoot again.
Twelve years across documentary, editorial and commercial photography, brought to bear on your pictures for an hour.
After checkout I email you within 24 hours to book a time and tell you where to send your images.
All course materials © 2026 Borrowed Time Bureau LLC. For your personal use only. Not to be copied, shared, resold, or taught by anyone else.
One hour, one to one, live online.
You send twenty photographs at least 24 hours before we meet. I go through every one of them before the call, so the hour is spent talking, not loading files.
We look at all twenty in order. Which frames are carrying your work, which ones are quietly holding it back, what you keep doing well without noticing, and the habit costing you the most. Then the part almost nobody gets: exactly what to do next, as specific instructions you can act on this week.
You leave with: a shortlist of your strongest frames, a clear read on where your work actually stands, and three things to work on before you shoot again.
Twelve years across documentary, editorial and commercial photography, brought to bear on your pictures for an hour.
After checkout I email you within 24 hours to book a time and tell you where to send your images.
All course materials © 2026 Borrowed Time Bureau LLC. For your personal use only. Not to be copied, shared, resold, or taught by anyone else.